About the Program
Host Emily Reese takes an in-depth listen to video game music and talks with the people who make it. Read more about Emily and the story behind Top Score.
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Recent Episodes and Stories
- San Francisco Conservatory of Music stretches bounds
On a recent trip to the Game Developers Conference in San Francisco, Emily stopped by the San Francisco Conservatory of Music to learn more about the new Technology and Applied Composition (TAC) program. Learn about and hear performances from the SFCM on this week's Top Score.May 21, 2015
- Composing music in full color
Composer Daniel Sadowski possesses that rare ability to see music in color, so when he was asked to compose music for the vivid game 'Stormthrone', it was a dream come true. Daniel Sadowski is Emily Reese's guest on this week's Top Score.May 14, 2015
- missingNo's jazzy video-game arrangements
Seven-piece jazz ensemble missingNo arrange video game music into complex, catchy jazz and funk-infused pieces. They are Emily Reese's guests on this week's Top Score.May 7, 2015
- Penka Kouneva and a composer's 'authentic voice'
Do men and women compose differently? Is there such thing as 'masculine' or 'feminine' music? Is defining music that way inherently sexist? This week's episode of Top Score asks some tough questions with composer Penka Kouneva.April 30, 2015
- Interview: 'Battlefield: Hardline' composer Paul Leonard-Morgan
Paul Leonard-Morgan, a busy film composer, makes his first foray into video game composing with 'Battlefield: Hardline.' He told Garrett Tiedemann about the special challenges of writing for interactive entertainment.April 24, 2015
- Top Score: Brutal honesty brings success on 'Massive Chalice'
Composing duo Brian Trifon and Brian Lee White (aka Finishing Move) met with Top Score host Emily Reese to discuss the game Massive Chalice and the challenges it posed to them. They also share pointers for other collaborative composers.April 23, 2015
- A sweet and dramatic score for 'Ori and the Blind Forest'
After four years of soundtrack development, the score for the game 'Ori and the Blind Forest' rested on one composer's ability to unite new musicians and seasoned score professionals.April 16, 2015
- Creating powerful and engaging game soundtracks
Composer, audio engineer and voice actor Alexander Brandon joins Emily Reese on this week's Top Score to talk about creating soundtracks that support the various atmospheres of video games.April 9, 2015
- Heard melodies are sweet for a Grecian game
Composer Marios Aristopoulos has scored the video game, 'Apotheon', a game set in ancient Greece that combines Grecian art styles and 2D platform gameplay. Marios spoke to Emily Reese on this week's Top Score.April 2, 2015
- Top Score: Cris Velasco goes for Baroque
In creating the soundtrack for 'Assassin's Creed Unity: Dead Kings', composer Cris Velasco used traditional sounds, including arpeggios, counterpoint and harpsichord to create music to fit the game's 18th-century setting.March 26, 2015